Composing in Photoshop: retouching & photomontage

Photoshop composing - Fire and ice - Part 08: Where there's fire, there's smoke

All videos of the tutorial Composing in Photoshop: retouching & photomontage

Note : The tutorial "Where there's fire, there's smoke" is a text version of the accompanying video training by Marco Kolditz. The texts may therefore have a colloquial style.

Here we go: Steps 1-11

Step 1

Where there's fire, there's something? Exactly, smoke, and you now want to place this smoke in your image via File>Place or ...

Photoshop composing - Fire and ice - Part 08: Where there's fire, there's smoke

... via a Windows folder, where you then simply drag the image file into Photoshop.

Photoshop composing - Fire and ice - Part 08: Where there's fire, there's smoke

Step 2

Confirm with Enter and immediately set this layer to Negative Multiply mode.

Photoshop composing - Fire and ice - Part 08: Where there's fire, there's smoke

This is what the result looks like:

Photoshop composing - Fire and ice - Part 08: Where there's fire, there's smoke

Step 3

The nice thing is that when you place a layer, it is saved directly as a smart object, which means that you no longer have to do this.

As with the fire, the black background is automatically hidden in Multiply negative mode.

In this case, the background was apparently not completely black, but probably had some kind of gray value.

Photoshop composing - Fire and ice - Part 08: Where there's fire, there's smoke

Step 4

However, you can change this by creating a tone correction layer...

Photoshop composing - Fire and ice - Part 08: Where there's fire, there's smoke

... as a clipping mask.

Photoshop composing - Fire and ice - Part 08: Where there's fire, there's smoke

Step 5

Here you will simply drag the black value a little to the right and perhaps the gray value a little too.

Now, with these values, the black area has actually disappeared.

- Black value: 24

- Average value: 0.91

Photoshop composing - Fire and ice - Part 08: Where there's fire, there's smoke

Step 6

You can now enlarge this smoke again with Ctrl+T and then take a look at where you can best place it. You should mirror it, then the fire will look better.

Photoshop composing - Fire and ice - Part 08: Where there's fire, there's smoke

Step 7

You'll also like this better because the smoke flies up into the corner on the right or blows a little. You place again with time until the smoke fits the way you like it.

Photoshop composing - Fire and ice - Part 08: Where there's fire, there's smoke

Step 8

Via Edit>Transform>Shape...

Photoshop composing - Fire and ice - Part 08: Where there's fire, there's smoke

... you can adjust the smoke so that it looks really nice. As I said, you can also take your time here and confirm with Enter.

Photoshop composing - Fire and ice - Part 08: Where there's fire, there's smoke

Step 9

Here you can also paint with a layer mask and ...

Photoshop composing - Fire and ice - Part 08: Where there's fire, there's smoke

Step 10

... retouch out some areas, such as this area:

Photoshop composing - Fire and ice - Part 08: Where there's fire, there's smoke

Step 11

You can also soften this area a little with low opacity.

Photoshop composing - Fire and ice - Part 08: Where there's fire, there's smoke

Steps 12-22

Font 12

You can adjust everything the way you want it. There is also fire between the arm and the hand, which means you will also place a little smoke here. To do this, you will duplicate these two layers by holding down the Alt key and dragging them down.

Photoshop composing - Fire and ice - Part 08: Where there's fire, there's smoke

Step 13

Now select the duplicated smoke layer and press Ctrl+T. Wait, you have to remove this symbol ...

Photoshop composing - Fire and ice - Part 08: Where there's fire, there's smoke

... because you have applied a deform function here.

Photoshop composing - Fire and ice - Part 08: Where there's fire, there's smoke

Step 14

Now press Ctrl+T and you can move the smoke. You can make it smaller and place it. Perhaps you should also mirror it again, maybe make it a bit bigger. You'll have to see how you like it. Maybe no mirroring after all, you'll just have to see how you like it best. Again, you can take your time and confirm at this point with Enter.

Photoshop composing - Fire and ice - Part 08: Where there's fire, there's smoke

Step 15

You have already corrected the background on the "Smoke copy" layer; you can of course mask out the areas you don't want on the layer mask. This is the whole area on the arm.

Photoshop composing - Fire and ice - Part 08: Where there's fire, there's smoke

Step 16

Now reduce the opacity a little, because it doesn't have to be on the mouth, of course, but it looks pretty good like this.

Opacity: 36%.

Photoshop composing - Fire and ice - Part 08: Where there's fire, there's smoke

Step 17

Now you can reduce the opacity of the layers.

Photoshop composing - Fire and ice - Part 08: Where there's fire, there's smoke

This way you have also placed some nice smoke in the picture.

Photoshop composing - Fire and ice - Part 08: Where there's fire, there's smoke

Step 18

What you want to do now: You want a bit more red in the fire, which means you will now select these layers and use Ctrl+G to put them in a group...

Photoshop composing - Fire and ice - Part 08: Where there's fire, there's smoke

... called smoke:

Photoshop composing - Fire and ice - Part 08: Where there's fire, there's smoke

Step 19

And you will now place another layer on top of this, namely a Color Balance adjustment layer.

Photoshop composing - Fire and ice - Part 08: Where there's fire, there's smoke

Simply drag the mid tones into the red channel 30 and a little into the yellowish: -20.

Photoshop composing - Fire and ice - Part 08: Where there's fire, there's smoke

Step 20

As the whole image has become relatively red, you will first invert the mask. You can now use Ctrl+I to paint the change into the image with full opacity and a white foreground brush, but only in the hair area. The red tone also has a slight effect on the bluish background, and that's OK, because the red blazing fire gives off its color to the surroundings.

Photoshop composing - Fire and ice - Part 08: Where there's fire, there's smoke

Step 21

It already looks very good. You rename these layers to "More red in the fire".

Photoshop composing - Fire and ice - Part 08: Where there's fire, there's smoke

Step 22

You have now completed the woman in this way and the next tutorials will be all about the man, who you will turn into a block of ice.

Photoshop composing - Fire and ice - Part 08: Where there's fire, there's smoke